- Posted May 21st, 2019 by DEFENSE MECHANISM
Welcome back to Intense Tech with Defense Mech! This time we’ll be continuing our exploration of grooves. After you read this lesson you should have a few more tricks up your sleeve to make your tunes groove even harder!
Setting a groove of 2 ticks, 3 ticks, or more can be useful in a table when creating arpeggios or duty cycle changes. This will result in the table running more slowly than the default. Groove commands can also be combined with Hop commands to create complex timing changes in both phrases and tables.
In this example from the tune Zenarchy by Hypnogram, you can see the effect of combining Hop and Groove commands. Remember that the first digit of H commands specifies the number of times to hop and the second digit specifies where to hop to, and also that each Groove command is set to the number of ticks that each line will last for.
Combining Hop and Groove can lead to very dramatic sounds!
Another trick, which I learned from Zef, is that you can actually use grooves to write in other time signatures such as 3/4 without using a Hop command!
This is just one way to set a groove in 3/4; of course there are many options. Let’s take a look at an example of how it might be used:
Similarly, you can use grooves to express triplets. Using the default 6/6 groove is helpful because 6 is divisible by both 2 and 3, so this allows us to easily put 3 notes (an eighth-note triplet) in the span of 2 eighth notes. Since 2 eighth notes equal 24 ticks, we need to divide 24 by 3, which is 8. This means that each note of an eighth-note triplet will last for 8 ticks. Using the groove numbering system that matches the groove number to the number of ticks, we can place a G08 command so we know that each line will last 8 ticks. Since this is 2 ticks per note more than the default groove of 6, we will need to compensate for the extra ticks by subtracting the total number of extra ticks at the end of the phrase either by using another G command, or an H command to hop to the next phrase. In this example, we use 3 notes, so we need to subtract 6 ticks from the end of the phrase to allow the next phrase to start on beat 1. This is easy to do by placing an H00 command to skip the last line of the phrase (which lasts 6 ticks).
Lastly, to wrap up the tips for this time, we have another example from Hypnogram for a simple yet effective 2-channel delay. By using 2 grooves, you can easily offset the pulse channels so that one echoes the other with one groove command, and then reset the delay afterwards by using the second groove command. Setting the first line of the second pulse channel to last 10 ticks (0A in hex) in the first groove means that each subsequent note will be delayed by 4 ticks. In the next phrase, we revert to groove 0 so each line lasts 6 ticks, but the 4-tick delay is maintained. We reset this at the end of the second groove by making the last line only 2 ticks long. In this example, I’ve also added some finetune to the pulses to help thicken the sound a bit. First, you’ll hear one pulse by itself, then you’ll hear the second pulse added with delay.
That wraps up this edition of Intense Tech! I hope you find these tips worthwhile to include in your tunes. As always, until next time, this is DEFENSE MECHANISM, signing off!
Note: traducción al Español por Pixel Guy encontrado aquí.